Saturday, 1 October 2011
I have continued preparatory work by experimenting with embroidery, and the idea of physically connecting the portrait to the poem. I think it's worked well. The embroidery works to add higlights to the image and provide extra definition. I like the contrast between the tight, controlled stitching and the loose, fluid strings connecting the two pieces. I think the strings, running across the subject's face, could be interpreted as a block between the viewer and the subject, however fragile it may be, which reinforces the idea of separation.
The loose strings are tangled here, which I'm not sure about. I would prefer them to simply overlap and hang freely. However, the idea just popped into my head to weave strings together
where they hang loosely. I'd need to ensure the web obscured the image, but didn't block it completely.
I also think that, considering the final piece will be on a larger scale, it might be interesting to combine cotton thread and wool as they hang between the pieces.