Nes Artist Residency

For those who haven't seen on my Facebook page, I'm happy to say I have been offered a place on the Nes artist residency programme, in Skagastrond, Iceland. I'm very surprised to have heard back so quickly, as I only made my application last week, but I'm very pleased. I should be there between September and December 2013. I've got a while to plan ahead and get ready.
I've been really keen to find residencies abroad, as travel is also something I really care about. I'm very interested in this residency because the environment will be alien to me in just about every way, and I'm sure it'll help me to produce some interesting work, especially as I hope to focus on my idea of naturally weathering my work. I'm sure that the time of year, and the location will contribute to some really interesting results.
I only found out today, and I'm sure I'll have more to tell later.

Finished weathered work

 

The weathered piece is finally finished!
It's been a frustrating process at times, but I'm happy to have finally finished it, and I'm happy with the results. I'm planning a similar piece, and I think it's likely to get done more quickly seeing as it's now autumn and the weather should be more tempestuous than it was in early September when I started this.
In this piece I've also used embroidery to pick out some of the background colour blocks, as I like some of the strong shapes there. I'm also really happy with the intensity coming from the hanging threads being concentrated in a particular area.
This concept is definitely something I want to push further and experiment more with. I'm hoping to exhibit this, and others works made in this way, early next year.

Today I'm planning to get started on a second piece in this style. However, there will be a couple of differences. To push the idea of being weathered and damaged by life experiences a bit further, the next piece will be a portrait of myself as a child. My mother has kindly sent me some photos to work with.
Additionally I'm going to move away from using continuous line drawings. Instead I'm planning to use drawings inspired by Frank Auerbach. I saw his show at Marlborough on Friday, and found it really inspirational. Since then I've been experimenting with some sketches in his style. I'm planning to build layering up in the work with sketches in charcoal and chalk, and I'm interested to see how this will be affected by natural weathering, even after being fixed.

Weathering

 

I'm finally seeing some results naturally weathering a canvas! There's been a lot more rain recently, and there's now a significant amount of dirt splashes on the canvas. This wasn't the kind of effect I originally expected, but I do like it. The canvas seems to have become saturated with water in some places, and I'm interested in how this will alter the canvas.
I've definitely learned a few things from working this way, and I'm keen to make a second piece in this way, but using an image of myself as a child. I hope that the effect on the second canvas will be more extreme, and I hope that an image of a child will push the concept further. I'm hopeful that a second piece will not take so long to complete, considering that the weather has become more extreme recently. Waiting for something to happen with the current piece was very frustrating for me.
I'm not sure how much longer I should leave this canvas outside for, but when I'm ready with the second portrait I think it'll be time to bring this one inside and begin embroidering it. Hopefully these canvasses will be ready for exhibition soon.
I'm happy with my ideas at the moment but I need some more motivation to actually get on with them. I'm thinking it's time for a trip to a few art galleries to try to get myself going again.

I'm a reject

Yesterday was a grand day, as it brought me two rejection emails!
One was for the residency in Turku that I applied for, and the other was for a London based competition/exhibition I entered. It's obviously a shame, but I can't say I'm overly surprised, especially with the residency in Finland. It's an occupational hazard, so I'm not going to dwell on it too much.
I'm constantly looking for new opportunities, so I have applied for plenty of other competitions and open calls. I'm very eager to look at other residency opportunities abroad, as travelling is also something that's big in my life. A couple of months ago I was looking into a residency in Dublin, but decided it wasn't suitable, and have also seriously looked into an opportunity in Germany. I think today I'll be scouring the internet looking for suitable residencies and working on my two commissioned portraits.
The good news at the moment is that this week Yeliz and I have been really working on putting our exhibition together. There has been a lot of procrastinating with this for various reasons, and a few setbacks, but now we're both determined to just get on with it. I'm sure it's not going to be completely straightforward from now on, but we're working on it. Originally we hoped to have this done by now; unfortunately that didn't happen, but things are thankfully developing now.

My impatience

 I'm so impatient. I've left the painting outside for longer than I expected to, and unfortunately there has been little change in it's appearance. You may be able to see that the ink has been bleached significantly, and there is also some dirt on the surface from when it rained. Unfortunately there isn't much more development than that, and I certainly want more.

 Over the past few days I have debated taking matters into my own hands and using various methods to weather the canvas myself. Hopefully if I try this natural approach again when we're further into winter there will be better, and faster results. However, doing that feels kind of deceptive to me, and feels like I'm compromising my original concept. I feel like I need to put up with feeling frustrated and just let this happen naturally.

At least I have other work to do in the meantime. Today I started working on the first of the two portraits I've recently had commissioned. They are both of children, which is something new for me, so I'm doing a lot of preparatory sketches. These pieces also will not include text or embroidery, just a straightforward portrait, so it'll be a change. That's the plan for today, and hopefully I can start painting the figure in the next few days.

Rain

I was thinking earlier that I've left the painting outside for another week, with no extreme weather and no results whatsoever. I was getting frustrated, and suddenly it started raining!
It's going quite hard, and for the past week the canvas has been placed flat on the ground rather than propped against the wall, so that rain collects rather than drains off, and sunlight should shine directly on the surface.
This must be the first time I've ever hoped for rain and bad weather, and now I'm very pleased. Really looking forward to seeing the results of this, and hopefully it'll be raining all night!

Update/Evaluation

As promised, I can now say what I've been doing with the piece I'm currently working on!

I decided to leave it outside for a week to become weathered and affected by the elements. For example, being battered by wind, bleached by strong sunlight, or saturated by rain. My rationale was that the majority of people are born perfect, with no scars or bruises, physically and mentally. As you go through life your experiences affect you and you end up with all manner of scars and bruises. When I paint, I strive to create something perfect, so allowing it to become weathered and damaged over a period of time was an analogy to going through life and being affected by your experiences.

I intended to leave it for a week, and then use embroidery as normal, possibly as a means of repair. Unfortunately, there has been no extreme weather at all during the past week, so doing this seems to have had no effect on the painting. One day I came home to find it had been knocked over and slightly soaked during an afternoon of wind and rain, but this didn't really alter the piece permanently. I think this is one of the only times I've ever wished for bad weather.
Because of this, I'm going to leave the work out for longer. Unfortunately I cannot say how long I will need to do this for as I'm entirely dependent on the weather. I think I just need to be patient and hope that there's a storm soon.
In the meantime I've got a few other things to work on, including two new commissions. Hopefully I'll see some results with this piece soon. Today I will also be sending off my residency application to Titanik gallery in Turku!