Exhibition opening this weekend

The new exhibition, celebrating the first birthday of Camden Image Gallery, opens at the weekend, and above is one of the new pieces I'll be exhibiting. It's been a few months since I last exhibited, as I've had a lot of other things to focus on, so I'm looking forward to showing work again.

Camden Image Gallery has been very significant for me over the past year. The managing director is one of my close friends, and I've made many new friends through the gallery too. I remember, over a year ago, the first time I saw it before it was open to the public, and the way that it has grown over the last year is inspiring. Elena works extraordinarily hard, and I'm very proud to be associated with this gallery.

I'm really excited about the new pieces - I was intending to keep these drawings in charcoal only until I was asked to be part of this exhibition, but I feel that using colour has also been really effective. I love how streaks of vibrant colour come through in certain places, and I love the build up of layers, as in my paintings. One thing I'm really enjoying is the freedom to make mistakes and blur them again, and being flexible with how I build up layers. I'm really thinking of this body of work as experimentation, and maybe that is aiding my process.

Something I've really picked up on in these drawings is the texture that can be developed from constantly screwing up paper and drawing more layers. In the image above in particular, the final layers of pastel look like tracings of texture, and this is something I'm very keen on. I'm now even more enthusiastic about working on paper for a while, and drawing rather than painting. I have an idea for a large and intricate piece of work, totally different to previous pieces, that I plan to work on when I get back to Sweden next month, and now plan to incorporate colour into this piece, as well as monochrome charcoal drawings. 

My recent work, as well as being pieces in their own right, has also been serving as preparatory work for the new idea, and it has really inspired me. I've learned a lot about which types of paper work best, and the different results that different papers can yield. I've now been working with the theme of weathering for just over two years, and it's amazing how the idea has grown and developed in that time. Using paper allows for lots of new possibilities, and I want to keep working with this.

This exhibition is also significant, because it is likely to be my last exhibition in London for a while. On 2nd January I am going back to Sweden, and this time should be staying for the foreseeable future. I'm looking forward to producing more work, and exhibiting in a new country.

Upcoming exhibition

I've been working on new drawings, and I'm happy to say that I'll be exhibiting some of my new work at Camden Image Gallery next month as part of the gallery's first birthday exhibition. It's really nice that my work was included in the very first exhibition at this gallery, and will now be part of a show exactly one year later.

The theme for this new show is colour, which suits my work perfectly. I'm not really keen to exhibit older work, so I'm starting some similar drawings of body parts in coloured chalk. I plan to build up layers using a variety of colours, to create rich and vibrant pieces. Using a number of colours rather than working exclusively with black charcoal will hopefully create a broad range of effects. I really love smudging and building up layers with charcoal, and I hope that this proves as effective as it has with charcoal. I'm excited to exhibit my new work as it's been a change in direction for me, and one that I find I'm really enjoying working with. 

I've been experimenting with a number of different papers, and I've enjoyed seeing the strengths and weaknesses with each. Currently I'm particularly enjoying working with a thick handmade textured paper. The pieces become textured anyway in the process of weathering, and using a surface that already has some texture adds to this effect. 

The Camden Image Gallery show is open to the public between 7th and 11th December, 12-7pm daily.

East Finchley Open

 

Yesterday I attended the East Finchley Open, an open house event involving lots of local artists. It's a shame I didn't know about this previously, as it's something I would have really enjoyed being involved in. Even more unfortunately as I'm planning to relocate to Sweden at the end of next month, so might not have the chance in the future either.
It was great to see so much art so close to home - one of the locations was literally around the corner from my own home!
There was quite a variety of different media and styles, which I really think was a positive. I didn't manage to visit every single house, but did go to more than half of them. Each one had quite a different atmosphere, which was interesting. What I particularly liked was that there seemed to be quite a lot of fibre art, and I did meet one artist who was a felt maker and had a really nice conversation with her about felting and her work specifically. She incorporated other materials into her felt pieces, and the results were really visually interesting. In the first house I visited there was another artist making textiles based work, which really reminded me of Natasha Kerr's work, and I found it really impressive. Seeing the work in a home environment was a great alternative to a more traditional gallery environment, and I could see how her work in particular could really work in the home.
I obviously can't speak for the houses that I didn't visit, but I would have liked to see more painting. All of the houses had a mixture of different styles and media, and there was plenty of ceramics and jewellery work too, but as painting is of particular interest to me I'd have appreciated seeing more of that. The first house I visited had some amazing paintings, and the artist was really experimental with the way paint works and what it can do.
It was really great to see the diverse range of work being made in this area, especially as Finchley probably isn't somewhere that immediately comes to mind as an artistic hub. Maybe things will start to change with events like this going on. I personally loved the fact that I could access so much art without having to really go anywhere, I managed to visit multiple locations just by walking in a big circle from my house.
The event is also on next weekend, with some slight variation in the artists involved. I strongly encourage people to visit the open houses next weekend, especially if you're in the area, as it was a really worthwhile day. I might even venture to some of the houses I missed out on. It was a really enjoyable afternoon and I met some interesting people too. I'm really pleased that something like this is going on in my area.

My European Tour

I recently got back from a trip away, where I visited Stockholm, Amsterdam, and Barcelona. It was particularly nice to go to Barcelona as it was the only place on the list that I hadn't been to previously. A lot of people told me beforehand that I'd love Barcelona because of the art and architecture, and they were absolutely right.

Whilst I was in Stockholm I visited Moderna Museet, the modern art gallery, and it was brilliant. When I go abroad I really enjoy being able to see work by artists from overseas who may not have actually reached England - this is something I really loved about visiting galleries in Finland. This was definitely the case at Moderna Museet. The show at the time was by a Swedish artist, Nils Dardel, who I understand is very well-known within Sweden, but was not someone I had heard of before. I found it really interesting, as the artist had worked in a range of styles throughout his career, but with consistent themes, and it was interesting to see how the style had changed and developed over time.

Added to that, the permanent collection was very impressive, with work by some very famous names. It took quite a while to get through the entire gallery but it was very worthwhile and I would definitely visit again. The museum is set in a lovely park area by the water, and outside the gallery there were some sculptures that were also really exciting. The area was very green, so the colours of the work outside cut straight through the environment and really stood out.

I didn't have a chance to see any exhibitions in Amsterdam, but when I got to Barcelona I was particularly excited to visit Fundacio Antoni Tapies. Antoni Tapies is one of my favourite artists, and was a significant influence for me when I worked more with collage. His work still inspires me to be bold and expressive within my work, and this feeling was renewed when I visited. Unfortunately I actually found the gallery quite disappointing, as I had expected it to be bigger and to contain more work. Perhaps part of it was shut whilst I was there, but there was only one room of Tapies' work, and another with a temporary exhibition by another artist. I enjoyed what I saw but felt quite let down by how little there was of it. I understand that the pieces by Tapies are shown on rotation, which leads me to think that it literally is just the one room. I would probably visit again to be sure, but the whole thing took about 20 minutes to get around and was a bit underwhelming.

I obviously saw a lot of Gaudi's architecture in Barcelona, and I loved how vibrant and colourful it made the place seem. I'm really keen to visit Barcelona again in the future as I really enjoyed myself and would like to see more.

Whilst I was away I took a sketchbook to document my adventure, and this has become an ongoing piece of work now that I'm back home. I always have a sketchbook with me, and working in sketchbooks is something I really enjoy doing. As I have a large number of sketchbooks, some for my own practice and notes, some more like this to document particular experiences, I'm considering exhibiting these in July. This isn't something I've done before but they do represent a significant aspect of my practice, and it presents an alternative to pieces hung on the wall that the viewer can't touch or directly interact with. Now that I'm home and settled I need to get back to the felt pieces I was working on prior to going away, as these could be an additional element to an exhibition. My holiday was absolutely amazing, and I'm glad that the actual experience has given me something to work with at home.

Coffee Art Project Opens Today!

The Coffee Art Project opens in Brick Lane today, and I'm really looking forward to seeing it later on today. I really enjoyed working on my piece for this show, and I'm pleased that I took part. I've seen a video of the exhibition being installed and it looks great, I'm excited to see how other artists have interpreted the theme.

The show is on until next Sunday, and definitely worth going to see as so many artists are involved.

My art fair experience

Parallax Art Fair finished yesterday. This was the largest exhibition I've been involved in as of yet, so it was a new experience, and provided great exposure for my work.
Due to other work, including curating a show, I feel that I didn't prepare as far in advance as I should have for Parallax, and I've certainly realised that something on this scale needs more preparation than other shows. I think taking on other shows and responsibilities since agreeing to be part of Parallax might not have been the best idea, and I've realised that in future I need to be more mindful of the workload that I take on.
For consistency, the organisers of Parallax have very specific requirements for how work should be hung. I was under the impression that this wasn't very flexible, and this was the element of the show that caused me the most difficulties, but upon attending the show I noticed that very few people had actually hung their work in the way described by the organisers. If I exhibit at a Parallax event in the future I think I'll be less concerned about
hanging the work in a way that suits me better.
The show was very busy, and during the private view it was difficult to just walk around because it was so crowded. Not every single person at the venue would have seen my work, but I was pleased with the number of visitors. When I attended the fair yesterday a lot of other artists commented to me that it was quieter than they had expected, but there were still a lot of people coming through. The fair was held in Chelsea Town Hall, which is a great location with plenty of foot traffic.
I was really impressed with the huge variety of work and styles in the show. Understandably, not

everything was to my personal taste, but I feel that anyone could have found something they liked. I really enjoyed being involved in a show that was so diverse. The artists showing encompassed so many different styles, backgrounds, and interests, and for me it was great to be part of a show including artists I doubt I'd ever exhibit with otherwise. I feel that my work was exposed to a really diverse audience, and probably to people who would never normally see, or choose to see, my work. In relation to my own tastes, I really liked that there was so much vibrant, colourful work in the show.
It was interesting also to meet other artists, particularly artists from outside of London. Generally artists were friendly and supportive of each other, but one thing that I found really disappointing is that some artists were perfectly happy to leave their flyers in other artist's spaces, stand in other artist's spaces blocking their work whilst talking on the phone or to a visitor, or leaving their belongings in another artist's space. I noticed this happening quite

a lot, and a couple of the artists near to me were culprits. I think that one person in particular was just ignorant rather than genuinely rude, but I was quite surprised that some artists had so little regard for others. Perhaps they were just very concerned with promoting themselves and ensuring that they were seen, but I feel it's a poor attitude to do this at the expense of others.
When I saw an artist putting her own flyers in front of my work and business cards I quite happily moved them into her own space, and I hope that others who found this happening took the same approach. The fact that this was happening is probably just the luck of who I was placed near to, and may not have been an issue with other artists or in other parts of the venue. I don't think this would put me off exhibiting at an event like this in the future, it's just unfortunate.
Sitting in my space yesterday was great because I met a lot of different people and got plenty of feedback and comments from the public, which was really positive for me. Many people asked

questions about the work and made comments, which made me happy. I had quite a good position in the room as my work was at the very back, whereas there were aisles going up the room towards the back, meaning that some people may miss work in one of the aisles, whereas my space was fairly unavoidable.
The pieces I showed were made between 2011 and 2013, including the paintings made in Iceland, and I don't intend to exhibit the same work again in the near future. I have more recent work that I'm pleased with, and I feel that the work with weathering is continue to develop in new ways, so I'd like to focus on that for now. Furthermore, I don't want every show I have to be repetitive and only show the same work. These pieces have all been exhibited at least three times, and I feel that this is enough.
Unfortunately I didn't make any sales at the show, but I feel this was a really valuable experience in terms of exposure for my work. The fair was quite different to the exhibitions I usually take part in, so it was a new experience for me. I'm really pleased that

I was given the opportunity to take part, and I hope that the exposure my work gained will pay off in the future.
On the whole this was a really positive experience, and I would be interested in exhibiting with Parallax again in the future. I really enjoyed seeing the other work in the show, and will definitely attend future fairs as a visitor. It's exciting to see so much work in one place, and to be exposed to so many different artists all at once. If I exhibit in the future I'll definitely prioritise this show over other work and be more sensible with my preparations. I've been working towards this show since December, and now that it's over I'm looking forward to working on new exhibitions and projects.

Exhibitions this week

"Expression", the show I've curated for Camden Image Gallery, opened on Saturday night, and I got a lot of really good feedback from both visitors and the artists involved. It was a lot of work but I'm really pleased with the quality of the work in the show, and I think it looks great. The show is now open to the public until 1st March, so please do go along and see the variety of work.

I'm also exhibiting at Parallax Art Fair later this week, and am now preparing my work for hanging there. I'm really happy that I was offered this opportunity, and I'm looking forward to setting up and the private view on Thursday night. Tickets are free of charge, and can be ordered here. This is the last time for the foreseeable future that I will be exhibiting certain pieces, including the pieces made in Iceland, as I'm focusing on progressing and developing the work with weathering, so this is a chance to see these works one last time.

Upcoming exhibitions and work in progress

There's a lot going on at the moment, I haven't had time to update this blog for a while. I finally have a couple of days to focus on actually producing new work, which I'm quite excited about.

A couple of exciting exhibitions are coming up for me. I'll be showing at Parallax Art Fair in London from 20th - 22nd February, and I'm looking forward to the exposure that this will give my work. Tickets can be purchased at http://parallaxfeb2014-eorg.eventbrite.co.uk/. This will be the last occasion for now I'll be exhibiting the work I made in Iceland, as I've shown this extensively since I got back to London. I'll also be showing a couple of older pieces that complement this work, it'll be nice to see recent work shown alongside some pieces that were made a few years ago.

I'm also currently curating a show for Camden Image Gallery, to take place between 15th February and 1st March. It's a lot of work but I'm enjoying the process, and have been sent a lot of really great work. I'm really happy with the line-up of artists I have so far, I feel that the works are going to be very cohesive together, whilst also showing each artist's individuality very clearly. There are still some spaces available at an affordable rate, if interested please email me at tamsin@camden-image-gallery.co.uk. Any style/media is considered.

I also have some work in progress at the moment that I'm getting very excited about. A couple of weeks ago I started a piece on a slightly larger scale than usual, with 10 layers of painting, drawing, and weathering, using a combination of natural and deliberate weathering. After painting the background colour blocks I immediately started intentionally weathering the canvas, and was really impressed by the effect this had on the surface. 

Whilst the piece was naturally weathering outside the frame was damaged quite significantly, and now the canvas is kind of twisted and asymmetrical, which brings a brand new effect into the work. I'm not sure how the work will look when hung, as the canvas isn't straight, but I think this will really emphasise the weathering aspect of the work. I'm ready to start painting the actual portrait now, and I'm really looking forward to seeing this piece completed. 

The effect of weathering the surface before the paint dried has really inspired me, so I'm going to work on some abstract pieces made in the same manner over the next couple of days. I loved the background just as it is, so I think these pieces will turn out well, and will also really emphasise the use of weathering in the work. These pieces, along with the portrait piece, may be exhibited at the upcoming exhibition in Camden.

The final exciting thing at the moment is that my work was featured on the Artpromotivate website earlier this week, which has surely exposed my work to a much wider audience. I'm really pleased about this, and the artist spotlight can be viewed here.

Call for artists

I'm looking for artists for a group show I'm curating, the gallery is spread over two floors and located opposite Camden Road station in Camden. Any style/media will be welcome, you do not have to be London based to participate. The show will take place between 15th February and 1st March. For more information please contact me at tamsin@camden-image-gallery.co.uk.

Upcoming Solo Show - Interior

I'm very pleased to announce an upcoming solo exhibition on 18th and 19th January, titled "Interior". This is a pop-up show in my own home in North London, which will be really different to exhibiting in a conventional gallery setting.
The idea is to provide a more intimate experience, for both viewers and myself as the artist, than a traditional gallery environment could. As my work is quite personal I feel that it makes sense to exhibit it in my private environment. The show will be revelatory, and give viewers an insight into my life. I'm really excited about doing this.
I'll be showing work made between 2011 and 2014, including experiments and pieces that have not been shown before. I'm planning to hang the work like a salon exhibition, and include as much as I can. I'll also be showing some brand new fibre pieces. All work will be for sale.
I'm really looking forward to the show, and I hope to have a good turn out. Refreshments will be provided.

Visit to the Saatchi Gallery

 On Wednesday I went to the private view of "Body Language" at Saatchi Gallery, and really enjoyed it. I always enjoy the shows at the Saatchi, but this one was of particular interest to me, as my own work deals with the human form. I always like the fact that there is so much variety within the show, and there's always a number of pieces that I really love. I particularly enjoyed the gallery with the installation on the left, the images on the wall were of engraved headstones, and the wooden headstone sculptures in the centre of the room really made an impact as soon as I walked into the room. I loved a lot of the work, but I found this installation particularly impressive. Definitely worth a visit, and I think I'll probably go back to see the show for a second time.
I really enjoyed seeing the human form described in so many different ways, and I came away with a few things to think about in relation to my own work.
In regards to my own work and shows, I'm in the final stages of a new piece for the exhibition in Camden, and I'm quite excited       about it. I'm planning to show this piece alongside the two smaller pieces that were made in Iceland, and I'm looking forward to
getting my work into the gallery on Friday. This week marks the start of a very busy period for me, but I'm pleased that there will be so much going on.

Vibe Gallery exhibition and other shows

The exhibition at Vibe Gallery was, I understand, a great success. Unfortunately I wasn't able to attend as I was in Edinburgh, but I'm told that the private view was very busy, and there was a lot of good feedback about the show. My friend Alison curated it, and from what I can tell she did an amazing job. I really wish I could have been there, but nonetheless I'm really pleased that I was able to be involved. The space is great, and this was my first opportunity to exhibit the two canvasses I brought back from Iceland.
I have a couple of other exhibitions in the pipeline that I'm really excited about. From 7th - 17th December there will be the first ever exhibition at Camden Image Gallery, a brand new gallery opening in Camden Town, owned by one of my friends. I went to see the space for the first time on Wednesday evening, and I'm so impressed. My friend Elena has worked really hard to get this together, and I'm so proud of everything she's done. I'm really looking forward to exhibiting in this show, alongside a really varied selection of artists, I think it's going to be really successful, and encourage everyone to come along and see the gallery and show. I'm also acting as Promotions Manager for her, so I'm hoping that lots of people come along to see the gallery for the first time. More details will follow soon.
I'm very proud to announce that in January I will be having my very first solo exhibition, a pop-up show in my local area. I'm still in the planning stages as present, but I can confirm that this will be happening on 18th and 19th January. Again, this is a great opportunity that I'm really happy about.
I feel that things have been really exciting, and moving very quickly, since I came back from my residency at the end of September. The residency gave me a lot of time to reflect on my work and how things are going, and I definitely came back feeling extremely motivated. To a certain extent actually making work has taken a back seat for the time being, as I have a lot of work to do in terms of setting up shows, but from January onward I'm planning to get back to focusing on this, as well as continuing to exhibit as frequently as possible. Things are going really well at the moment with my work, and I feel that a lot of excellent opportunities are coming up. My renewed motivation has probably helped to actually bring up these opportunities; yet another benefit of my residency experience!
More details will follow about both of the upcoming exhibitions. At the moment I feel quite snowed under with work, but I have no doubt that it'll be very much worthwhile!

Weathered Fibre Work and an Upcoming Show

I'm finally back in London, and back to working away. I'm now working on my first ever weathered fibre piece, this is brand new for me and I can't wait to see how it turns out.
The embroidery part of the piece was completed much more quickly than I expected, and the work has been outside for a few days now. I'm very interested to see how the material is affected by becoming wet and drying out repeatedly.
The material is already becoming stained, so I'm hoping the impact will be great. I didn't tidy the edges of the fabric prior to placing it outside, as I'm hoping this might lead to some fraying and damage on the edges. If the weathering process goes as speedily as the initial sewing I will hopefully be in a position to exhibit the work quite soon.

On the subject of exhibitions, I'm happy to say that I'll be showing some work at Vibe Gallery in London next week. One of my friends is curating the show and has worked really hard, I think the show is going to turn out really well, definitely worth seeing if you're in London! Unfortunately I won't be able to make the private view, but I'm really pleased to be involved.
There are a few other shows coming up for me soon, in London and New York. Details to follow in due course...

Two more finished pieces and an exhibition!

 I'm pleased to say that yesterday was a really productive day for me, and I completed two pieces. The first is a new experiment on paper, which was placed outside whilst the paint was still wet, and I love how gravel has stuck onto the paper as a result. This piece weathered quickly, and needed to be fixed up with embroidery, and I'm very pleased with the outcome.
The director of my residency has invited residents to participate in an exchange exhibition with some artists in New York, the theme being the idea of a faraway place, and the work being a letter to the viewer. I think this piece would be ideal, as it literally contains a small part of Skagastrond, so I plan to leave it with her before I go back to London on 29th September. This particular exhibition is still a work in progress, so more details to follow.
Yesterday I also finished the second canvas I was working on, the same one I needed to retrieve from the cliffs in the morning. When I looked at it more closely it had become scratched from being dragged along the rocks, and the paint also has some fine cracks

in it. The weathering in this particular piece is more subtle than in the first canvas I completed, but I'm still happy with it. I wanted to the outcomes to be different for each canvas, and I think the subtle effects in this piece contrast well with the bolder first canvas.
This means that I have one canvas left to work on, and I hope to work on that tomorrow. At least by now I'm much more aware of the problems that working in this manner can bring, and I'm more prepared. I feel optimistic.
I'm also still working on some small experiments on paper, wood and foam board, to see if and how the results differ from my work on canvas.
I'm also happy to confirm an upcoming exhibition at Vibe Gallery in London from 25th - 29th October. Details can be found here:
http://www.facebook.com/events/1416556288571477/?fref=ts

First finished piece!

 I'm so happy to say that I've now finished one canvas, and I am so pleased with how it has turned out. It has been titled "Mud", for obvious reasons!
Embroidering the canvas last night was a messy job, due to the amount of dirt of the surface, but it was absolutely worthwhile. The weathering is so clear here, and I'm still amazed by how quickly it happened. This is exactly the kind of result I wanted all along, so I'm very satisfied with this piece. In Iceland I've been working on a smaller scale than usual, due to time constraints, and I think this has also helped to speed up the process.
I love that there is balance between areas that are built up and intense, and areas such as the forehead that are less blemished, I think that really works in this piece. I also love that the dampness of the environment has caused to chalk to spread and drip in some places, that wasn't a result I was expecting but I think it works in contrast with the bolder aspects of the work.

 This piece has really confirmed for me that bringing my practice out here for a time was the best decision, I've accomplished what was not possible in London. When I originally conceived this idea, about a year ago, this was the kind of effect I was imagining and hoping for. I had to go a lot further than I expected to manage this, but I'm really satisfied now.
However, unfortunately yesterday I found that the piece in the rockpool has been washed away. This really doesn't surprise me, as in the past few days the sea has been very choppy, the waves have been even more violent than they were last week. with the waves being so big I would probably have drowned if I'd gone down to check the painting over the weekend.
It's a shame, but an occupational hazard if I choose to work in this way. I'm glad that I was at least able to document the weathering process with images and film, even though there is no work at the end of it. It has highlighted that I perhaps need to be even more

careful when it comes to securing the works, so  I'm keeping a very close eye on the piece that is still outside.
I am considering bringing it inside today, as it is already scratched, and this morning I had to climb along the rocks to retrieve it, as the winds last night had blown it further down the cliffs, along with the rock it is tied to. I obviously knew that the weather conditions would be more dramatic here, but I didn't understand just how extreme it could be. It's completely unpredictable, and whilst that it great for the weathering process I'm having to work a lot harder just to make sure that I do actually have some pieces left!
Even if the remaining works don't go to plan I'm so happy with this painting, and will be exhibiting it in London next month for sure. Yesterday I also placed a couple more paper experiments outside, and I'm also planning to try out a piece on wood, to see if and how this differs from weathering canvas. I'm so excited about the possibilities here!

One piece is back inside!

 I've just brought a painting inside, ironically this was the last one I placed outside, only yesterday! I suppose that's what happens when you put something in a pile of dirt whilst it's hailing. It still needs to be embroidered, but I am so excited about the outcome. I cannot stress enough what a brilliant decision it was to work here, the results are so much quicker and more effective than they were in London. I'm really happy, and I'm just waiting for the canvas to dry before finishing it off.
I'm so fortunate in that this opportunity has also allowed me a lot of time to reassess my work and career, and I feel that I have a really clear direction to go in when I get home in two weeks. I'm halfway through my residency now, and I've already benefited so much. I know what I want to work on when I get back home, and I have a clear idea of how to facilitate that as well.
I also have a few exhibitions coming up. One will be at Vibe Gallery in London between 25th and 29th October, and a couple of others are tbc. I'm expecting to show some of the work made

in Iceland at Vibe, and probably some older work too.
This period of time has been really productive for me, and I'm also so full of plans and ideas for the future, I feel so fortunate to be having this experience. It's really sad to think that this residency will come to an end soon, but I'm sure that the next two weeks will also be a very beneficial time for me, especially as some works are nearing completion. Soon it'll be time to worry about getting it all back to London!

New experimental work

I was really inspired yesterday by some work I saw by Rosy Keyser at Zabludowicz Collection, and was really keen to work as soon as I got back home. This piece is completely different to anything I've done previously, and it was very refreshing to experiment with something new.
I was also inspired by other work I saw in the show, of contemporary, progressive painting, and started off with a small canvas that hadn't quite worked out previously. It's just been sitting around, so it was really good to re-purpose it. I built up a lot of layers of blue, black, and white ink, and once it had dried started with my usual approach of deliberately weathering the canvas.
I wanted the canvas to be really shredded, and my usual method just wasn't harsh enough on the surface, so I took to ripping and splitting the surface in as many places as possible, and then putting it back together in a new way.
Since I started working with the idea of damaging the canvas, I've become more and more interested in affecting the shape and physicality of the canvas. I don't think this particular idea would work for a portrait, as the image would end up completely unreadable, but this was a really fun experiment for an abstract piece, and is something I'd definitely be keen to try again.

Showcase Cities exhibition

The exhibition last night was really enjoyable, and after the disaster with the last exhibition I'm really pleased that this one went so smoothly. I was lucky, as I realised on Tuesday that I had more space than I thought, so I was able to include one additional piece. I'm pleased that the work was seen, and I met some nice people. Nothing was sold but I was more interested in just getting the work out there. Some of the other work being shown was really good as well.

I learned a couple of things from this experience to bear in mind for the future, so I definitely feel that this was successful. I'll certainly carry these things into future exhibitions. The only unfortunate thing is that my arms ache from carrying canvasses around for much of yesterday!

I definitely feel relieved that the work has actually been exhibited now, as the exhibition in January is still in the process of being rescheduled, and hasn't been the easiest process.

 However, I do have some plans at the moment for a solo show, and now that this exhibition is out of the way I'll start arranging that more seriously for some time in the near future. This will be in addition to a show with Yeliz. That one really hasn't gone to plan, but we're constantly thinking of new ideas for it, and really do hope to resolve the problems as soon as possible.

Last night was a good night, and I'm very grateful to my friends who came along to see the work.

Exhibition next week!

 

If you're in London on the 20th please do come along, it looks to be really exciting. For more information please see  http://www.showcase-cities.com/whos-exhibiting-next/

Upcoming Exhibition

I'm very pleased to confirm that I'll be exhibiting at the upcoming Showcase Cities exhibition on 20th February at Rich Mix in London.
This is a really exciting one day exhibition, bringing together art, music, fashion, and theatre, and I'm thrilled to be involved. The venue is great too.
Entry is free, and work will be available for sale, so please do come along if you're in London. I'm sure it's going to be a really enjoyable night.

For further information please see http://www.showcase-cities.com/