Exhibition opening this weekend

The new exhibition, celebrating the first birthday of Camden Image Gallery, opens at the weekend, and above is one of the new pieces I'll be exhibiting. It's been a few months since I last exhibited, as I've had a lot of other things to focus on, so I'm looking forward to showing work again.

Camden Image Gallery has been very significant for me over the past year. The managing director is one of my close friends, and I've made many new friends through the gallery too. I remember, over a year ago, the first time I saw it before it was open to the public, and the way that it has grown over the last year is inspiring. Elena works extraordinarily hard, and I'm very proud to be associated with this gallery.

I'm really excited about the new pieces - I was intending to keep these drawings in charcoal only until I was asked to be part of this exhibition, but I feel that using colour has also been really effective. I love how streaks of vibrant colour come through in certain places, and I love the build up of layers, as in my paintings. One thing I'm really enjoying is the freedom to make mistakes and blur them again, and being flexible with how I build up layers. I'm really thinking of this body of work as experimentation, and maybe that is aiding my process.

Something I've really picked up on in these drawings is the texture that can be developed from constantly screwing up paper and drawing more layers. In the image above in particular, the final layers of pastel look like tracings of texture, and this is something I'm very keen on. I'm now even more enthusiastic about working on paper for a while, and drawing rather than painting. I have an idea for a large and intricate piece of work, totally different to previous pieces, that I plan to work on when I get back to Sweden next month, and now plan to incorporate colour into this piece, as well as monochrome charcoal drawings. 

My recent work, as well as being pieces in their own right, has also been serving as preparatory work for the new idea, and it has really inspired me. I've learned a lot about which types of paper work best, and the different results that different papers can yield. I've now been working with the theme of weathering for just over two years, and it's amazing how the idea has grown and developed in that time. Using paper allows for lots of new possibilities, and I want to keep working with this.

This exhibition is also significant, because it is likely to be my last exhibition in London for a while. On 2nd January I am going back to Sweden, and this time should be staying for the foreseeable future. I'm looking forward to producing more work, and exhibiting in a new country.

The memory blanket

It's finally finished! It still needs to be put it the hot press, but the embroidery has been completed! I'm very proud of the result, and I think the amount of hard work and effort in this piece is evident. Once it has been pressed and tidied up I'm sure it'll look even better.
As I have mentioned previously, this piece lists various memories from my time in Finland, colour coded to correspond to the mixed media portraits of my friends. I feel that this has become a self-portrait, as we are products of our own experience.
Finishing this work has left me with a feeling of pride and relief, but also sadness because it has consumed me for the past couple of months. Throughout this time, I have become more and more enthusiastic about maintaining embroidery as an integral part of my practice, and has lead to me being referred to as a "punk embroiderer". My intention was to have imperfect stitching with a clear human element, and as it was put to me, there would have been no punk without prog rock, as punk was a deconstruction. I have deconstructed hand sewing, and the importance of careful, uniform work. Hence, the punk embroiderer.
I will be exhibiting this piece at my show in April, and after that will probably be selling it. I don't think this will be the only completely stitched work I will produce.
Now that this piece is done I will be looking back over a couple of my mixed media portraits that I was not totally happy with, and possibly giving them a bit more work now that I can see them with fresh eyes. From next week I'll start on a new piece, which I have a few ideas for.

Starting something new

I've decided to begin something new within my work, but I've been so busy doing it that I've only just remembered to write about it!
I've now completed 6 portraits, which I'm happy with, and it would be a good idea to have something slightly different to go alongside it. Working on something new is convenient now, because I had a subject for another portrait, but I wasn't sure who to use after that. I wanted each portrait to be of someone significant, who played a big part in my life in Finland, rather than choosing people I'd only met once or twice just because I needed a subject. I can think of a couple of people I might like to work on if I decide to make some more of these portraits, but after that I might end up scraping the barrel.
Recently I'd also started thinking more about memories I have of my time in Turku, and memories of the people in my work. This, and the use of my friends as subjects, relates to the idea of my internal world, and my domestic life.
I had an idea of filling a bag or envelope with pieces of paper on which my memories are written. Someone can take out a memory and read it. This worked well in my sketchbook, but I'm uncomfortable with doing this in a gallery setting, as there is a risk of theft. I don't want my work, or my memories, to be stolen.
I hit on the idea of embroidering a surface with the memories I have of the people in the portraits, colour coding the sentences to correspond to each image. Embroidery is traditionally a feminine, domestic act, but this is not highly important in my work. What's more important is that the embroidery will be consistent with the portraits. The surface I'll be using is a blanket I got on a night train in Norway, when I was on holiday. The blanket is too thin to be of real use to me now, plus it provides symbolism. It is an object that I acquired during my time away from England, even if it didn't actually come from Finland.
I feel that the blanket piece could still be considered as a portrait - a portrait of me. I think that your experiences and memories shape you, and make you who you are, and all of these memories and events have formed me and my life today. In a way, this piece puts me alongside my friends.
I'm planning to start sewing the blanket during Christmas, and this week I've been working on some preparatory pieces. This work may take a while, so I'll see where I am after that. In the future I'm quite interested in doing something focussing on the continuous line drawings I've been doing.

Two finished portraits!

Both acrylic, marker pen, and embroidery

Today I finished the second portrait, and I'm very happy with these two. Initially I was concerned about using yellow and orange over grey tones, but I really like the the texture coming from the grey. This also serves to emphasise the concept of layering in the work.
Looking at these portraits, I'm struck by the richness of them, coming from the multiple layers and different elements. I think the continuous line drawings on each canvas really contribute to the intensity to the work. I also notice how more experimental colours really affect the mood and style.
I'm really happy, have already painted the background for the next canvas, and I'm ready to get back on it tomorrow!

Changes

I still have no internet! That'll change next week, and hopefully after that I can write more often. This week I've continued on the painting of Emmi, but the general direction has also undergone some changes. The poetry will now be written over the painting, rather than on a separate board, and embroidery will then be on top of that. As layering seemed to become more and more important in the work, this seemed like a logical progression. In the past I've been nervous of doing too much and overloading a piece, but now I want to push it. I have a bit more embroidery to do today, and then I'm done with this one. I'm thinking about tying additional hanging strings to the embroidery, just to add to the intensity.
Then I'll be moving on to a new portrait, this time of my boyfriend. This time I've decided to be more experimental with colour, and work with grey, yellow, and orange. The idea is to create something which may confuse the viewer, or create an unusual effect with the colour combinations. I like the idea of a dull grey background combined with the shock of the bright tones.
Below is an image of this portrait, prior to the addition of the line drawing, text, and embroidery. As I added more the face took on a tribal, mask-like appearance, which I find very interesting. This wasn't a conscious choice - just a natural formation. I'm really pleased so far. When everything is finished I'll post a picture.